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Careers

Producer
Location : London
Start Date : Immediate
Salary : DOE
Applications : emily@webberrepresents.com / laura@webberrepresents.com

WEBBER is a thriving multidisciplinary agency and gallery that harmonises creativity and collaboration with contemporary artists and clients. We are seeking a dynamic, considerate and organised Producer to join our team in London. This role is central to our mission of fostering strong relationships and delivering exceptional creative projects on a global basis.

You will collaborate closely with our Senior Producer, supporting Agents, Directors and Artists in the execution of outstanding production and project management. We value collaboration, and creativity in our work environment, always with a positive and naturing mind set.

Responsibilities :

-Create, oversee, and manage a variety of budgets, from intimate editorials to full-service advertising campaigns, for both stills and motion.
-Independently manage all aspects of an artist's production, including client liaison, estimating, optioning, shoot scheduling, travel logistics, on-set production, and liaising with external production and service companies, film development and processing, postproduction, and delivery.
-Create and manage intricate post-production processes for both stills and motion on both analogue and digital platforms.
-Reconcile and wrap job financials accurately and in a timely manner.
-Advise, guide, and provide clients with creative budget solutions according to target spend and concepts
-Maintain existing relationships and forge new relationships within the industry with collaborators, vendors, and peers alike.
-Inspire and empower our small, but growing team.
-Be cognisant and proactive about how we can make productions an accessible space.

Qualifications :

-Excellent communication, negotiation, and interpersonal skills.
-Ability to manage multiple projects simultaneously and meet deadlines.
-Proficiency in post-production processes for both analogue and digital media.
-A commitment to diversity, inclusion, and accessibility in the workplace.
-A proactive, organised, and detail-oriented approach.
-At least 3 years experience with artist lead production and/or within an artist representation agency.
-Strong understanding of budgeting, scheduling, and logistics for both stills and motion projects.

Webber
Webber Gallery

Zora J Murff At No Point In Between 04.07–29.08.21

Zora J Murff, At No Point In Between
04.07–29.08.21

Information

Installation view, 2021
At No Point In Between
Installation view, 2021
At No Point In Between
Installation view, 2021
At No Point In Between
Installation view, 2021
At No Point In Between
Installation view, 2021
At No Point In Between
Installation view, 2021
At No Point In Between
Installation view, 2021
At No Point In Between
Zora J Murff
Freddy (talking about his home), 2019
16×20 inches
Archival pigment print
Edition of 5
Zora J Murff
Roses, 2019
Variable: 16×20; 24×30; 32×40
Archival pigment print
5 + 3 AP
Zora J Murff
Terri (talking about the freeway), 2019
32 × 40 inches
Archival pigment print
Edition of 5
Zora J Murff
Intersection, 2019
24×30 inches
Archival pigment print
Edition of 5
Zora J Murff
Survey
10 × 8 inches
Archival pigment print
Edition of 5
Zora J Murff
Implement
10 × 8 inches
Archival pigment print
Edition of 5
Zora J Murff
Jerrod and Junior (talking about fatherhood), 2019
32×40 inches
Archival pigment print
Edition of 5
Zora J Murff
A Point (2), 2019
24×30 inches
Archival pigment print
Edition of 5
Zora J Murff
Cross, 2019
24×30 inches
Archival pigment print
Edition of 5
Zora J Murff
Flight, 2019
Archival pigment print
Edition of 3
Zora J Murff
Fight, 2019
10 × 8 inches
Archival pigment print
Edition of 5

Zora J Murff | At No Point In Between

Église Des Freres Precheurs, Rencontres D' Arles

4 July - 29 August 2021


At No Point in Between takes as its subject the African-American neighborhood of North Omaha, Nebraska. Showing portraits of the neighborhood’s inhabitants alongside urban landscapes, the series evokes a social environment profoundly determined by a succession of racist policies and by the injustice that has reigned there since its inception. Combining humanist and topographical research on the one hand and archival analysis on the other, Murff focusses on the complex tangle of violence impacting the city’s black community: that of odious crimes, such as the lynching of Will Brown (1919), the assassination of Vivian Strong (1969) or the recent police violence documented on videos that have circulated widely through the social media; but also the systemic violence of governmental decisions that have affected the community slyly and no less calamitously, resulting in social and economic exclusion, such as the redlining of the neighborhood by urban planners. The bodies and the places we see here all bear the stigmata of racism, which remains today a dominant aspect of the Black experience in the United States.


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