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Contact

Webber London

18 Newman St
London
W1T 1PE


+44 (0) 20 7439 0678
london@webberrepresents.com

Webber New York

35 E 1st Street

Basement West
New York
NY, 10003

+1 646 370 5713
newyork@webberrepresents.com

Webber Los Angeles
939 S Santa Fe Ave
Los Angeles
CA 90021

Tues - Sat | 11am - 6pm
By Appointment

la@webberrepresents.com
info@webber.gallery

Careers

Producer
Location : London
Start Date : Immediate
Salary : DOE
Applications : emily@webberrepresents.com / laura@webberrepresents.com

WEBBER is a thriving multidisciplinary agency and gallery that harmonises creativity and collaboration with contemporary artists and clients. We are seeking a dynamic, considerate and organised Producer to join our team in London. This role is central to our mission of fostering strong relationships and delivering exceptional creative projects on a global basis.

You will collaborate closely with our Senior Producer, supporting Agents, Directors and Artists in the execution of outstanding production and project management. We value collaboration, and creativity in our work environment, always with a positive and naturing mind set.

Responsibilities :

-Create, oversee, and manage a variety of budgets, from intimate editorials to full-service advertising campaigns, for both stills and motion.
-Independently manage all aspects of an artist's production, including client liaison, estimating, optioning, shoot scheduling, travel logistics, on-set production, and liaising with external production and service companies, film development and processing, postproduction, and delivery.
-Create and manage intricate post-production processes for both stills and motion on both analogue and digital platforms.
-Reconcile and wrap job financials accurately and in a timely manner.
-Advise, guide, and provide clients with creative budget solutions according to target spend and concepts
-Maintain existing relationships and forge new relationships within the industry with collaborators, vendors, and peers alike.
-Inspire and empower our small, but growing team.
-Be cognisant and proactive about how we can make productions an accessible space.

Qualifications :

-Excellent communication, negotiation, and interpersonal skills.
-Ability to manage multiple projects simultaneously and meet deadlines.
-Proficiency in post-production processes for both analogue and digital media.
-A commitment to diversity, inclusion, and accessibility in the workplace.
-A proactive, organised, and detail-oriented approach.
-At least 3 years experience with artist lead production and/or within an artist representation agency.
-Strong understanding of budgeting, scheduling, and logistics for both stills and motion projects.

Webber

Zora J Murff Companion Pieces: New Photography 2020 at MoMA 01.09.20–01.03.21

Zora J Murff, Companion Pieces: New Photography 2020 at MoMA
01.09.20–01.03.21

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Part of MoMA’s online exhibition Companion Pieces: New Photography 2020, curated by Lucy Gullan.

Weaving together portraits and landscapes, alongside found images, the artist’s series At No Point in Between presents a community that has been shaped by racist policies and a legacy of injustice.

At No Point in Between takes as its subject the historically Black neighborhood of North Omaha, Nebraska. It includes poignant portraits of its citizens as well as landscape images—layered plywood, lush vines covering buildings—depicting a cityscape that has been shaped by racist policies and a legacy of injustice. Inserted into the series are examples from Murff’s collection of found images and objects, A Lineage—a framework of ancestors and structures that have shaped life in North Omaha. Murff locates his investigation of this particular place within a larger American narrative of violence. This violence is complex: it includes historical acts of violence such as the lynching of Will Brown (1919) and the police killing of Vivian Strong (1969); more recent videos of police violence that circulate widely on social media; and the systemic violence of redlining and other governmental policies that have resulted in economic oppression. By “creating a collection of images scrutinized in both their historical and contemporary contexts,” Murff explains, “I metaphorically connect the body and the landscape, fast and slow violence.”

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